• Great photography is created by the mind that perceives the image, the eye that composes the picture, and the experience working the exposure triangle—not the rig.
  • It’s taken me a dozen cameras and several thousand dollars of gear to lead me back to my roots.
  • My first cameras were the high school journalism department’s Graflex Speed Graphic with a 120 film back and a Yashika twin-lens, also in 120. We rolled our own B&W film back then.
  • To this day I can’t add a bit of vinegar to a salad without the pungent odor evoking happy memories of a tray of acidic stop bath reflecting beneath the safety lamps of the dim-lit darkroom.
  • I still think the Pentax Pen-F might have been the perfect everyday camera, but my Pen-F is long gone--the VI is a great substitute.
  • For a long time, I’ve been making do with the iPhone for everyday shooting--and hating it. It’s not a satisfying experience. In my view, a real camera has a viewfinder & knobs.
The Temple of the Darkened Viewfinder
  • I miss working the exposure triangle using real tactile controls--clicky, knobs and rings.
  • I miss the privacy and concentration of composing a shot in the temple of the darkened viewfinder, which, unlike the iPhone, happens to be glare-free.
Glare is a composition nightmare

I am weary of being a vacation pack mule, hauling and tracking lenses, filters, batteries, and memory cards for every outing, and then safeguarding my burden at every airport, restaurant, and event we attend.

I'm giving up being a photo pack mule
  • At 40 mp, the sensor is huge for my needs. It is so huge that the digital telephoto cropping to 20 mp is still big enough and good enough for my daily purposes.
  • I am over throwing away my days editing RAW images. I’m not a professional (I’ve only had one professional shoot in my life, and it took me 2 years after that wedding to stop drinking). So with the VI, I’ll select a pleasing recipe, maybe add a bit of emotion with a Cenibloom 5% filter, and then I’ve done as much editing as I need for the photograph I want to get.
  • The truth about RAW editing is that my color vision is so iffy that I spend a tremendous amount of time second-guessing myself anyway. I’m never sure if I’ve ever improved a RAW image by editing it.
  • Once I reject the life-sucking burden of RAW editing, I have all the more reason to just go out and shoot. Just like back in the days of film, if I bungle a shot, then I miss that shot. Simply throw the picture away and better luck next time. (At least with digital I didn’t have to buy film and pay to process the duds.)
  • So now that's here, I’m slipping that VI in my pocket and going shooting…or not. The VI is with me if I want it, not at home in my pile of camera junk like my DSLR rig.
Goodbye Photo Gear Hell
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